Atomos Shogun Flame with Angelbird 1TB SSD

Atomos Shogun Flame with Angelbird 1TB SSD

Product Code: AO-ATOMSHGFL1-002
Condition: New
  • £1,899.00
  • (£2,278.80 inc. VAT)
  • RRP £1,899.00
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Atomos Shogun Flame and Angelbird 1TB AVPro in caddy bundle - AO-ATOMSHGFL1-002

Atomos Shogun Flame 7.1" AtomHDR 1500nit Field Monitor with 4K/HD 10-bit RAW/ProRes/DNx Recording over SDI, HDMI & XLR plus Angelbird SSD AVpro MkII 1TB SSD 2.5Inch SATA3 Memory Card

Shoot in log from the camera and for the first time, thanks to the AtomHDR engine, reproduce the vibrant colors & brightness of HDR in post production on a field monitor. The Shogun Flame is a 7” 10-bit 1500nit Field Monitor with the AtomHDR engine, connections for HDMI / SDI / XLR and recording for both Video and Raw (Sony & Canon) to 4K/HD 10-bit ProRes/DNxHR.
AtomHDR = More detail; AtomHDR delivers 10 stops of dynamic range (brightness range) to match 10-bit camera LOG footage, revealing detail in highlights & shadows usually clipped on traditional (REC709) monitors. Supported LOG cameras include: Sony, Canon, Panasonic, ARRI, RED & JVC. 
High Bright 7” Calibrated Monitor; The world’s most advanced 7” field monitor, with 1500nits brightness for outdoor shooting, native Full HD resolution & calibration to ensure natural LCD color drift can be corrected over time - shoot what you see guaranteed.

10-bit monitoring; Upgraded 10–bit processing to resolve 1.07 billion colors compared to the 16.7 million colors of traditional 8–bit panels to all but eliminate color banding. 
10-bit post production; Monitor post production content in 10-bit HDR for any NLE or color correction suite. 
HDMI/SDI; With both HDMI and SDI in/out you have the maximum flexibility in choice of camera including Raw SDI cameras like the Sony FS700/FS7 and Canon C500/C300MKII. With bi-directional conversion allowing you to add any camera to your HDMI or SDI workflow.

4K & Raw Recording; Record direct from the sensor at 4K UHD (up to 30p) or HD (50/60/120p) at higher resolution 10-bit color with precise yet efficient 4:2:2 color encoding. Even record Raw to ProRes/DNx for select Sony & Canon cameras.

Continuous power; Our patent pending hot swappable dual battery system for continuous power is backed up with the included power accessories including 2 x 4-cell batteries, D-Tap to DC cable and a blazingly fast battery charger.

Improved Video Quality; 10-bit color resolution, 4:2:2 color accuracy and visually lossless ProRes/DNxHR compression.

SHOOT WHAT YOU SEE.

Filmmakers constantly face exposure challenges on set, choosing between detail in the highlights and in shadows. Shooting Log from the camera is a partial solution, recording a broader brightness range but still you need to compromise on the monitor's image quality. The solution is the Shogun Flame, a 7" 10-bit AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNxHR recording, Sony & Canon Raw to ProRes/DNxHR recording, professional HDMI, SDI and XLR connections along with LTC/Genlock & bidirectional SDI/HDMI conversion needed on set and in broadcast. With AtomHDR, you get the brightness and dynamic range of HDR Log with natural, vibrant colors to let you simply shoot the way you see.

GET AHEAD OF THE LOG CURVE
 
Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

SCENES IGNITE WITH 1500NITS OF LIGHT

Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional Rec709 video at high brightness for outdoor monitoring.

Simply pick the right mode, HDR or High Bright, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

WIDEST CAMERA COMPATIBILITY
 
With both HDMI and SDI connectivity in/out and bi-directional conversion, the Shogun Flame connects with almost all cameras.

UNLOCK THE RAW FROM SONY & CANON
 
Output Raw from select cameras and record direct to 4K/HD Apple ProRes or DNxHR.

RECORD PROFESSIONAL 4K & HD
 
Shogun Flame records to professional 10-bit 4:2:2 ProRes & DNxHR demanded in post production.

 
SIMPLE OS, SOPHISTICATED SHOTS
 
The Flame Series is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

CONTINUOUS POWER IS BACK... WITH SUPER FAST CHARGING.

Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.

ADVANCED DSLR AUDIO MONITORING

Record audio as well as video externally on the Ninja Flame. Monitor up to 8ch of HDMI audio or 2ch analog line in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment and Mic level adjustment when using external microphones (3.5mm unbalanced input).

ADVANCED RECORDING CAPABILITY

Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.

BATTLE-READY! FOR THE FIELD

Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.
Weight
Without batteries & media650g / 22.9oz
With batteries & media1094g / 38.6oz
Dimensions (W x H x D mm)214 x 127 x 45mm, 8.4 x 5 x 1.8”
ConstructionHigh quality lightweight ABS Polycarbonate for durability & portability
 Built-in armor protection
Power
Operating power10 - 24W
Compatible batteriesNP series and supporting accessories
Input voltage (battery)6.2V to 16.8V
Battery time (based on 7.4V)-
 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
DC In1 x DC in (6.2 - 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system Change batteries without losing power Loop batteries continuously
Touchscreen
Size7.1”
Resolution1920 x 1200
PPI325
Aspect ratio16:9 native
Color GamutREC709 HDTV
Look up table (LUT) support3D LUT (.cube le format)
Anamorphic de-squeeze2x, 1.5x, 1.33x, Panasonic 8:3
TechnologySuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional Atomos Spyder
HDR
AtomHDRYes
Supported Log formatsSony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported GamutsSony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth10-bit (8+2 FRC)
Brightness1500nit (+/- 10%)
PQ in/out
In = Post   Out = Monitor
Yes / Yes
Video input/loop out
HDMI1 x HDMI (1.4b)
SDI1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
SignalUncompressed true 10-bit or 8-bit 422
(camera dependent)
Video output (play out)
HDMI1 x HDMI (1.4b)
SDI1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
SignalUncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported loop out formats
HDMI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120,
2160p 24/25/30
SDI to SDI720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/120*
2160p 24/25/30
Video signal conversion
HDMI to SDI720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/120*
2160p 24/25/30
SDI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*
2160p 24/25/30
 
Supported Codecs & frame rates (record & playback)
Raw to CDNG (Record only)*Codecs Cinema DNG for supported cameras (Sony FS5/FS7/
FS700, Canon C300MKII, C500, Panasonic Vericam
RAW*)

Frame rates 4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
Raw to ProRes / DNxHRCodecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
Video to ProRes / DNxHRCodecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
1080i; 50/60i
720p; 50/60p
Onboard processing
Pulldown removal24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoringYes - Loop-out and playback (Not available in RAW)
Audio in/out (48kHz PCM audio)
HDMI2 or 8ch 24-bit, camera dependent
SDI12ch 48kHz 24-bit
Audio2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Remote start/stop
HDMIAuto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDISDI trigger camera selectable
OtherLANC control - Slave
Playback
PlaylistYes
Genlock / LTCYes / Yes
Playback
Pre-roll recordYes (HD 8s, 4K 2s)
Custom timelapseYes
Meta data taggingYes (10 tags available)
Supported media
(Approved List Only)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy caseMaster Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock2.5” SATA to USB 2.0/3.0
Supported applicationsSupported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML supportFCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories includedShogun Inferno unit, Custom yellow HPRC case,
Control cable, XLR breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger & DC power), HDR sunhood
Optional extrasAtomos HDMI cable, X-Rite calibration
 
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